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ZHIVAN FLORENCE

ZHIVAN FLORENCE

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The Fever

based on the play by Wallace Shawn

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But I love the violin. I love the music, the dancers, everything I touch, everything I see.

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And I see the whole world laid out like a map in four dimensions—all the land, the people, the moments of time—today, yesterday.

And at each particular moment I can see that the world has a certain very particular ability to produce the things that people need:

there's a certain quantity of land that's ready to be farmed, a certain particular number of workers, a certain stock of machinery, a stock of ideas about how to do things

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how to organize all the ones who will work. And each day's capacity seems somehow so small.

It's fixed, determinate. Every part of it is fixed. And I can see all the days that have happened already, and on each one of them, a determinate number

of people worked, and a determinate portion of all the earth's resources was drawn up and used, and a determinate little pile of goods was produced.

So small: across the grid of infinite possibility, this finite capacity, distributed each day.

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Site sources: 

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The Fever by Wallace Shawn

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Time Magazine

Photographers:

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Paul Ratje—Reuters

Tonje Thilesen for TIME

Ethan Noah Roy

Nam Y. Huh for the Associated PressAP Photo/Evgeniy Maloletka

John Shearer 

Marco Longari/AFP/Getty Images

Imaginechina

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